She grew up making a world of her own committed to creativity and expression, surrounded by mountains, art and music, in the city of rain.
With the rhythm of life as the axis that marks her creativity, with hands that are always light and with wings that lead her to search beyond conventions, rules and norms, she is ready to reveal to us the delirious stability of our daily lives.
Where the Andes mountain range splits in two and without fear of the Galeras, because in its skirt it grew and became large, a dancer is born, the creator of Muju, Tikay, Guaneña and Nuna Raymi, all powerful, warrior and resilient women.
For as long as he can remember, he has been close to art and painting and has always created with his hands. Through them he drains and releases the energy that visits his body.
There are artists whose works do not admit indifference. They are works that invite you to think. Beatriz González's is one of them.
In contrast to the approaches of abstract artists, closely related to the industrialized, technical and dehumanized world, interest arose in naivety, in the unsuspecting joy of the primitive world.
In the 1950s, Colombian art experienced an opening to the dominant currents of international art, particularly abstract art.
Connection to the earth, the true experience of togetherness beyond theory, is an awakening. It is a change of consciousness, it is remembering the feeling of the bond that we all have with what sustains us and gives life. It is remembering that by bringing nature closer we bring ourselves closer.
While the Bachués and the Pedronelistas led the avant-garde of Colombian art, a group of artists reacted against the inclination towards revolutionary and political art.
Green seems to be the horizon that governs her, on a journey with no return, traveling paths, mountains and rivers of life, guided by jaguar women and messengers of the gods.
