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Santiago Páramo and the chapel of San José - Church of San Ignacio, Bogotá

$245,000.00

DESCRIPCIÓN

In the surroundings of the Plaza de Bolívar in Bogotá, in what was the original sacristy of the church of San Ignacio, is the chapel of San José. The conversion work of this place, the most coherent and best preserved religious artistic complex in the country, has its own name: Santiago Páramo SJ (1841-1915), who from the floor to the dome intervened in all the spaces and painted all the murals. Three large canvases, several stained glass windows, an original organ and a beautiful set of German tiles complement the work. Access to this treasure is through the central nave and the ante-sacristy of the temple that houses it. Fully illustrated, this is the fifth book in the series with which, since 2009, the Pontificia Universidad Javeriana and Villegas Editores have disseminated the great Jesuit cultural heritage.

DETALLES

  • 2013
  • Spanish
  • 2 kg
  • 128 pages
  • 10" x 12"
  • 9789588818061

First place - Awarded by the 16 to International Latino Book Awards, 2014. — Best Interior Design

INFORMACIÓN DE ENVÍO

Shipping costs:

  • In Bogotá: Shipping costs are proportional to weight and destination. These are calculated during the purchasing process.
  • Nationwide: Shipping costs are proportional to weight and destination. These are calculated during the purchasing process.
  • International Shipping: Shipping costs are proportional to weight and destination. These are calculated during the purchasing process.

Shipping and delivery times:

  • Shipments within the national territory
  • Shipments to Bogotá are made between 1 and 3 business days.
  • Nationwide shipments are made through the courier company Servientrega and their arrival may take 5 to 6 business days.

CRÉDITOS

  • Editor: Benjamín Villegas
  • Editorial coordinator: Juan David Giraldo
  • Art department: Andrea Vélez, Enrique Coronado, Andrés Mauricio López
  • Photography assistant: Daniela Marulanda, Juan Sebastián López, John Albert Rendón
  • Style Review: Stella Feferbaum